“Sky?”
“What?”
I looked at him. And I meant everything. “Nothing,” I said, and then I paused. “Those flowers are going to be really pretty.” The cold night sent a shiver up my spine, and we kissed again.
Yours,
Laurel
Dear John Keats,
Today we got our report cards from first quarter. I had all As, except in two classes. In PE, I had a C-, not because I can’t run fast, but because Hannah and I pretended to forget our gym clothes so many times. And in English I had a B, even though I’ve gotten As on all of my essays. The reason for this is that I don’t talk in class, because I hate the way Mrs. Buster looks at me, so my participation grade was low. And also that I had a missing assignment—a letter to a dead person. It’s one little assignment, and I wish I had just made myself fake it, but I couldn’t. I mean, my letters are actual letters to the people I am writing to. Not to Mrs. Buster. But there is one way to make Dad happy, and also for Aunt Amy to feel sure that I am free of sin, and that’s to get all As. I tried to make sure that my grades were good so that no one would have any reason to worry or ask questions. I hope this is close enough.
Mrs. Buster called me over to her desk after class today and asked why I hadn’t done the letter assignment, even after she gave me two extensions. She said I should be an A student. And I tried to explain that I did do it, I just couldn’t show her. But she said the point of an assignment is to turn it in. I tried to explain that I thought that letters were actually very private.
She looked at me funny. Then she said, “Laurel, you are a very talented girl,” but she said it like it was not a good thing.
I shrugged.
Then she said, “I notice that you don’t speak up in class much.”
I haven’t really talked at all, actually, since the second week of class when I said something about Elizabeth Bishop. I just pass notes now with Natalie, or look out the window. I pay attention only when we are reading poems.
I shrugged again.
“Laurel, I just want to encourage you…” She paused, like she wasn’t quite sure what she wanted to encourage me to do.
Then she said, “May was special, too, like you.”
I almost smiled at her. She said that I was like May.
But her big bug eyes started bugging out at me, like what she saw when she saw us was a tragedy. “I just don’t want you to waste your talent.” She paused again. “I don’t want you to go down the same road that May did.”
And then I was so angry that everything in my body clenched together. I didn’t know what “road” she thought May went down, or if she was trying to say that’s why she died. She wouldn’t know. No one did. She wasn’t there. No one was, no one but me. I was so angry that if my throat hadn’t been clenched too tight, I might have screamed at her. If she felt so bad about it and all, why didn’t she just give me an A? Grownups can be such fakes, I thought. They are always acting like they are trying to help you, and like they want to take care of you, but really they just want something from you. I wondered what exactly Mrs. Buster wanted. Finally I just nodded and forced myself to mumble something about I’m fine, just that one assignment was really hard.
The thing is, I can’t hate Mrs. Buster entirely, because she gives us things like your poems to read. Yesterday we read “Ode on a Grecian Urn.” The poem is about an ancient urn with pictures on it. It sounds like it would be boring, but really it’s not. I like this part, where you are talking about two lovers, trapped in the instant just before they kiss:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
The boy and the girl beneath the trees, they will forever be frozen into exactly what they are just then—they will never touch lips, but they will never lose each other, either. They will be full of possibility, immune to whatever sorrow might follow.
It’s like that, almost, when you look at any picture. Like this picture framed on my desk in my room, of May and me as kids in our yard in the summertime. We are swinging on the swing set. I’m just starting to pump, still near the ground, watching her. She’s high up, right in the moment before she jumps. But she’ll never fall off. It’s just after sunset, so the air is still warm. We will stay where the sky is deep electric blue, never turning to night—a place beyond time that can’t be touched. When I sit at my desk and see the November sky purring with snow, it doesn’t matter. I am seven years old in the summer dusk.
But what I love most is the end of your poem, when the urn talks to us. It says this: “Beauty is truth, truth beauty,—that is all / Ye know on earth, and all ye need to know.” I keep trying to figure out exactly what you mean, but that sentence is like a circle. If beauty is truth, and if truth is beauty, they are defined by each other, so how do we know the meaning of either? I think that we make our own meanings, by putting ourselves into them. I put the moon over the street lamp into the idea of beauty, and I put the feeling of Sky’s heartbeat like moths wings, and I put Hannah’s singing voice, and I put the sound of my footsteps running after May along the trail by the river, chasing the sky. And then I start to circle back to the idea of truth. I put how May said her first memory was of holding me after I was born, and how she said she was proud when Mom trusted her to take me in her arms. I put the way Sky’s voice sounded when he said he wanted to be a writer, and that he’d never told anyone before. I put Natalie holding Hannah the night we slept in the barn. And I put when May whispered in my ear, “The universe is bigger than anything that can fit into your mind.”
Then I just go around and around. And I still don’t know how to make sense of the world. But maybe it’s okay that it’s bigger than what we can hold on to. Because I think that by beauty, you don’t just mean something that’s pretty. You mean something that makes us human. The urn, you say, is a “friend to man.” It will live beyond its generation, and the next ones. And your poem is like that, too. You died almost two hundred years ago, when you were only twenty-five. But the words that you left are still alive.