“I thought you were going to show me your birthday present,” I continued, hoping to change the subject.
“Oh! My present! I forgot.” She hopped from the mattress and scurried halfway under the bed to retrieve it, a weighty tome that she plunked down on the floor between us. Its leather cover was stamped with the title, in ornate script, Compendia ex Horrenda Maleficii.
“You know what this is?” she demanded. It sounded like a challenge.
With a sigh and a sinking heart, I answered, “I think so.”
“Mother would kill Uncle if she knew he gave it to me. She hates monstrumology.”
She flipped rapidly through the book’s flimsy pages. I glimpsed gruesome depictions of human bodies flayed open; dismembered torsos and decapitated heads; the ironic leering grin of a skull whose frontal and parietal bones had been smashed to pieces; a tangle of rotting entrails in which squirmed what appeared to be gigantic larvae or maggots; anterior and posterior views of a woman’s corpse, her flesh ripped free from the underlying muscles and tendons and hanging like strips of peeling paint from the abandoned cathedral of her mortal temple. Page after page of macabre lifelike illustrations of human havoc wreaked, over which Lilly bent low with nostrils wide and cheeks flushed, eyes aflame with voyeuristic delight. Her hair smelled like jasmine, and it was a dizzying juxtaposition, the sweet odor of her hair against the backdrop of those disgusting drawings.
“Here it is,” she breathed. “Here’s my favorite.”
She tapped her finger on the page, where the nude corpse of a young man was displayed in an obscene parody of Leonardo da Vinci’s Vitruvian Man, arms and legs outstretched, head throw back in a silent howl, with what appeared to be a tentacle or perhaps a snake (though it may have been some of his intestines) issuing from his abdomen. Mercifully, Lilly did not elaborate on why she liked this drawing so much. She stared at it for a few seconds in silence, her eyes shining with macabre wonder, before looking up. A sound from downstairs had captured her attention.
“They’re fighting,” she said. “Hear it?”
I could—the doctor’s strident voice, von Helrung’s insistent response.
“Let’s go listen.” She slapped the book closed. Without thinking I grabbed her arm.
“No!” I protested. “We shouldn’t spy.”
“Do you hate him?”
“Who?”
“Dr. Warthrop! Is he your enemy?”
“Of course not!”
“Well, then, you can’t spy on him. It’s only spying when they’re your enemies.”
“I don’t need to spy on him,” I said, trying to think quickly. “I know what they’re fighting about.”
She stared intently at me for a moment with narrowed eyes. “What?”
I could not meet her gaze. I dropped my eyes and said softly, “The Old One.”
There was literally no holding her back after that unfortunate admission. She ignored my frantic protests and crept down the hall, stopping at the top of the stairs to lean over the banister, her curls falling to one side as she cocked an ear to eavesdrop. It was a dramatic gesture. The two monstrumologists were arguing loud enough to be heard in Queens.
“. . . ashamed of yourself, Meister Abram,” the doctor was saying. “To indulge that . . . that . . . theater person.”
“You judge before you know all the facts, mein Freund.”
“Facts? Facts, you say! And what facts might those be? Creatures neither alive nor dead who live off the blood of the living, who transform themselves into mist and bats and wolves. Chickens and pigs, too, I suppose—why not? Who sleep in coffins and rise each night with the moon? Are those the ‘facts’ to which you refer, Meister Abram?”
“Pellinore, tales of the vampire stretch back hundreds of years—”
“So do tales of leprechauns, and we do not study those—or are they next? Are we to include magical sprites in the canon? We might as well! Henceforth let us devote ourselves to determining how many fairies can dance upon the head of a pin—or perhaps in the vacuum that exists between your ears!”
“You wound me grievously, mein Freund.”
“And you insult me, mein Meister. If I had proposed such a thing when I was your pupil, you would have boxed my ears! What is it? Have you gone daft? Are you drunk? What in the name of God would compel you to pursue this madness?”
“You credit me too much power, Pellinore. I can only suggest—it is up to the Society to decide.”
“I credit you with the death of two innocent men—and the attempted homicide of another. I do not count Will Henry and myself; we took that risk with no compunction from you.”
“I did not tell John to go. He offered.”
“You didn’t have to tell him, you wicked old fool. You knew he would go if he thought it would please you.”
“He said the case had never fully been explored. He insisted—”
The doctor cursed loudly, and I heard the hard thud of something being slammed to the thick carpet. Instinctively I started down the stairs, and Lilly pulled me back.
“Wait,” she whispered.
“It is nothing,” I heard von Helrung say. “It can be replaced.”
“I hold you fully responsible for what happens to him,” returned the doctor, refusing to be mollified.
“And I freely accept that responsibility. I shall do all within my power, though I fear it is too late.”
“‘Too late’? What do you mean?”
“He is in the state of becoming.”
“Oh, for the love of—Has the whole world gone mad? Am I the sole sane person left in the cosmos? The state of becoming . . . what? No! Don’t you dare say it. If you say it, I shall break the other one. Over your thick Austrian head.”
“You are understandably distressed.”
“So, what is your plan? Keep him alive long enough to present him as a Lepto lurconis specimen, then shove a silver dagger through his heart? Burn his body upon a bloody pyre? I shall turn you over to the police. I shall see you prosecuted for cold-blooded murder and watch you hang.”
“You must come to terms with certain facts—”
“Facts! Oh, wonderful. We are back to the facts.” Warthrop laughed harshly.
“The first of which is—regardless what you think of my proposal—that John will die, probably well before I can present my paper.”