Home > The Final Descent (The Monstrumologist #4)(14)

The Final Descent (The Monstrumologist #4)(14)
Author: Rick Yancey

“The police . . . ?”

I shook my head. “This is no matter for the police.”

Pushing her toward the stairway.

“You aren’t coming?”

“I’ll wait for him here. We did not miss it by much, Lilly. He may still be down here—it, too.”

We had reached the foot of the stairs.

“Who may still be down here?”

“Whoever shot that man by the Locked Room.” But it wasn’t his killer I was most concerned about—it was Warthrop’s prize. Should it somehow escape . . .

“Then you cannot stay!” Pulling on my arm.

“I can handle myself.” On impulse I grabbed her bare shoulders and kissed her hard on the mouth. “For how long I cannot say—so hurry. Hurry!”

She clattered up the stairs, and the darkness swallowed her quickly. Then the resounding clang of the door slamming closed. Then silence.

I was alone.

Or was I?

Warthrop’s prize was down here in the pit with me, if someone hadn’t carted it off or, more terrible still, slain it.

Its sense of smell is exquisite, he had told me, making it a marvelous nocturnal hunter; it can sniff out its prey for miles.

I could huddle at the top of the stairs with my back to the door and wait for the doctor to arrive. That would give the creature but one way to reach me and myself a fair chance of killing it before it could kill me. It would be the prudent thing to do.

But it was the last of its kind. If cornered, I would have no choice but to defend myself, and Warthrop would never forgive me.

I took a deep breath and plunged back into the labyrinth.

The way is dark, the path is not straight. Easy to get lost, if you don’t know the way, easy to go in circles, easy to find yourself at the place from which you began.

TWO

Hold out your hands. Steady now. Don’t drop it! Carry it over to my worktable and set it there. Careful, it’s slippery.

And the boy, with the tattered hat to keep his head warm in the icy basement, presses the ropy bundle to his chest, shuffling across the floor slick with blood. The slithering and slipping of the cargo in his arms, the offal smearing his shirtfront, and the smell that assaults him. And the antiseptic clink and clatter of sharp instruments, and the man in the white coat with its copper-colored stains leaning over the metal necropsy table, and the boy’s numb fingers wet with effluvia, and the tears of protest that run down his cheeks and the hunger in his belly and the light-headedness of finding himself in this place where no pies cool on racks and no woman sings over a warm fire, just the man and his gore-encrusted nails and the peculiar crunch of the shears snapping through cartilage and bone and the strangely hypnotic beauty of a corpse flayed wide, its organs like exotic creatures of the lightless deep, the surreal humming of the man as he works, fingers digging deep, black eyes burning, forearms bulging, the taut muscles of his neck and the clenched jaw, and the eyes, the eyes burning.

Nothing human yet. We’ll take a look at those intestines in a moment. What are you doing over there? Set it down on the table; I need you here, Will Henry.

Here: by his side. Here: in this cold place where not a molecule of air moves. Here: the boy in the tattered hat smelling of smoke and the blood sticky on his bare hands and the thing opened up before him like a spring flower straining toward the sun.

The monstrumologist’s hands were sure and quick then, like all else about him. He was in his prime. None could match him in dexterity of mind; none shared in the purity of his animus. What heights might he have risen to if he had chosen a different path—if true passion could be chosen, like the ripest apple in the basket? Statecraft or poetry? Another Lincoln, perhaps, or a Longfellow. If a soldier, then a Grant or a Sherman or, to reach further back, an Alexander or a Caesar. It seemed nothing could contain him, in those days. No light shone brighter than his lamp. It was overwhelming for the boy in the tattered hat: He had never been in the presence of genius; he did not know how to behave or think or speak or any human thing; and so he was forced to look to the man in the stained white coat to guide him, to tell him how to behave and think and speak. He was the bloody corpse beneath the bright lamp splayed open, straining toward the sun.

Why are you staring like that? Are you going to be sick? Do you find it hideous? I find it beautiful—more splendid than a meadow in springtime. Hand me the chisel there. . . . I was younger than you when I assisted my father in the laboratory. I was so small I had to stand on a stepping stool to help him. I held a scalpel before I could hold a spoon. Good! Now the forceps; let’s have a look at this fellow’s incisors. No, the large forceps—oh, never mind, hand me the pliers there; that’s a good boy!

Later, at the worktable, standing on my tiptoes to watch him dissect the intestines of the beast, discovering at last evidence of its human victim, and the joy upon his face in counterpoint to my horror as he pulled it free with a soft squish.

We have found him, Will Henry! Or a bit of him anyway. Step lively; hand me that jar over there. Snap to, quickly! It’s falling apart on me. . . . Hmm. Very difficult to tell the age by this, but it could be him; it could be. They said he was a boy around your age. What do you think?

Rolling the molar around in his palm like a dice player.

A boy around your age, or so I’m told. . . . What do you think?

A boy around my age? And that is all that’s left of him? Where is the rest?

Well, where do you think it is? What isn’t used is discarded—defecated, to be technical about it. Like all living things do, what it didn’t convert to energy it shat out. Waste, Will Henry. Waste.

A human being. He is speaking of a human being, a boy around my age was the report, and all that is left is a tooth—the rest now part of the beast or in a pile of its shit.

Waste, waste.

And the boy in the tattered hat, in the tattered hat, in the tattered hat.

THREE

He must have heard them that night: the howls and shrieks of the boy’s soul tearing in half, the cry of damnation’s desire, the rage against the beast that had refused to consume him. The beast that had left behind the black, smoldering casings of his parents—for what it did not use for fuel, it shat out as dust and ash. He must have heard. Every board and window and shingle and nail must have rattled with the force of his anger and grief.

The man must have heard—and he did nothing. In fact, in those early days, the more I cried—always alone in my little attic room—the harsher, colder, and more merciless he became. Perhaps he told himself it was for my own good, and after all this was at a time when children were not coddled. Perhaps his harshness was meant to make me harsh, his coldness to make me cold, his mercilessness to make me merciless. It was the best and only answer to the brutal question as he understood it:

   
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