I offered it to her, but Minerva was still staring at Alana Ray - glaring, her gaze dangerous even through dark glasses. I felt like I should say something to calm her down, since I'd brought Alana Ray here and Minerva was angry at her about... something.
Because Alana Ray had dropped her sticks? But Minerva had freaked out before the Big Riff had broken down. I opened my mouth but found myself silenced by the memory of Minerva's naked eyes.
"Min?" Pearl said.
I closed my mouth. Let Pearl handle this.
"You okay, Min?"
"Yeah, sure." Minerva leaned across to take the notebook from my hand, pressed it close against her chest. "Sorry about that. Didn't mean to have a hissy fit. I was just kind of... into that song."
"I'm sorry too," Alana Ray said quietly. "My condition sometimes leads to performance complications."
I swallowed, trying to remember what Alana Ray had confessed about herself... something wrong with her brain? All of a sudden, she was talking funny, with microscopic pauses between her words. Little twitches traveled across her body as she stared back at Minerva, as if her nervous system was unraveling inside. I opened my mouth again to say something.
"Hey, no problem," Zahler said first. "You were fawesome. We were all totally paranormal!" He turned to Pearl. "Right?"
"Yeah," Pearl said softly. "We were." She gave me a questioning look.
I held her gaze, something I hadn't done in two weeks.
It had all clicked - our music, this band. Pearl's strange, electric friend had pulled us together and forged us into something as brilliant as she was.
"That was great," I said, nodding at Pearl. "Good going."
Her face brightened in the dark practice room. "Well, okay, then." She turned to Alana Ray. "You need to take a break?"
Alana Ray blinked one eye, then the other, then shook her head like she had water in her ear. "No. I'd rather keep playing. I think my... complication is over. But maybe a different song? Sometimes the same stimulus can provoke the same reaction."
"Uh, sure," Pearl said, then shrugged. "How about Piece Two?"
Zahler and I just nodded, but Minerva smiled, pulling the microphone closer to her mouth. Low, soft laughter, touched with reverb, scattered about the room.
"No problem, Alana Ray," she whispered, opening her notebook. "I've got about a million stimuli to go."
Nobody freaked out for the rest of rehearsal.
We played Piece Two, a long jam wrapped around a looped sample from an old vinyl record of Pearl's, then our third song, which didn't even have a working title yet. Alana Ray never stumbled again, just accompanied us with psychic comprehension. With every new section she'd follow along for a while, then slowly start to build us up, adding structure and form, staring at invisible sheet music hovering in the air, somehow seeing what we needed her to do.
I didn't catch a single word Minerva sang, but every time she opened her mouth, she injected us with brilliance. Her voice had an uncanny magnitude, as if her notebooks were full of incantations for making the ground beneath us rumble. I couldn't take my eyes off her, except when I closed them and listened hard.
Between songs, I kicked myself for not having gone out to Brooklyn that morning. I finally saw how stupid the struggle between Pearl and me had been. Neither of us were rock stars - we were backups, sidekicks, allies. Good musicians, maybe, but Minerva was luminous.
The anger that had been dogging me the last two weeks was spent, leaving nothing but contentment. I had an awesome band, a place to rehearse with no one yelling, "Turn it down!" and a 1975 Strat with gold pickups in my hands. I'd even cracked the money thing and was saving a few bucks for myself every day. I couldn't remember why being miserable had seemed so important.
Minerva had changed everything.
After an hour and a half, we'd played every song we knew as many times as we could and ground to a reluctant halt.
"Hey," Zahler said. "We need some new tunes, don't we?"
"Yeah." I looked at Pearl. "We should get together soon. Work on some more stuff for next Sunday." Suddenly I had fragments of a million songs in my head.
Pearl smiled happily. "More tunes? No problemo."
Minerva frowned. "Problema. Pero masculino."
"Huh?" I said, glancing at Pearl.
"Um, Min's been studying Spanish, sort of." Pearl pulled out her cell phone and frowned at it. "Speaking of which, I think we need to get back to Brooklyn for your, um, lesson."
"You're studying Spanish?" Zahler said, grinning. "Mas cervezas!"
"Prefiero sangre," Minerva said, her teeth glimmering in the darkness.
"Yeah, okay." Pearl turned to Alana Ray. "Listen, it was great to meet you. You were brilliant. I mean, especially for paint cans."
"Paint buckets," Alana Ray said. "It was good to meet you too."
"So... you want to play with us again?"
Alana Ray looked at me, and I nodded - at seventy-five bucks she was a bargain. She smiled. "Yes. This was very... involving."
"That's us. Involving." Pearl swallowed. "Sorry that Min and I have to run, but you've got the room until eleven. If I go reserve it for next week, can you guys handle breaking down?"
"What about your mixing board?" Zahler said.
"They keep it locked up downstairs. Here's my key." She threw a glittering chain across the room to Zahler and grabbed Minerva's hand. "Come on, Min. We really have to motor."
Zahler shouted goodbye, but Pearl was already pulling Minerva out of the door, yanking her along like a five-year-old who didn't want to leave the zoo.
I followed them into the hall, running ahead to stab the elevator button.
"Thanks," Pearl said. "Sorry to leave you guys to clean up. It's just..." Her voice faded into a sigh.
"Smelly Spanish lessons," Minerva said. From all around us, the mutterings of bands leaked out, the thump of drums, muffled stabs of feedback.
"Don't worry about it." I wondered what their mysterious rush was really all about. Not Spanish lessons, obviously. I tried to remember what Pearl had said on the phone that morning. Something about ninjas? "You've done everything so far, Pearl. It won't kill us to put some stuff away."