Amar reaches the doors of the central Erudite building and pushes through them. We watch from just outside, snickering. I peer through the doors at the portrait of Jeanine Matthews hanging on the opposite wall. Her yellow hair is pulled back tight from her face, her blue jacket buttoned just beneath her throat. She’s pretty, but that’s not the first thing I notice about her. Her sharpness is.
And beyond that—it could just be my imagination, but does she look a little afraid?
Amar runs into the lobby, ignoring the protests of the Erudite at the front desk, and yells, “Hey, Noses! Check this out!”
All the Erudite in the lobby look up from their books or screens, and the Dauntless burst into laughter as Amar turns, mooning them. The Erudite behind the desk run around it to catch him, but Amar pulls up his pants and runs toward us. We all start running, too, sprinting away from the doors.
I can’t help it—I’m laughing too, and it surprises me, how my stomach aches with it. Zeke runs at my shoulder, and we go toward the train tracks because there’s nowhere else to run. The Erudite chasing us give up after a block, and we all stop in an alley, leaning against the brick to catch our breath.
Amar comes into the alley last, his hands raised, and we cheer for him. He holds up the flask like it’s a trophy and points at Shauna.
“Young one,” he says. “I dare you to scale the sculpture in front of the Upper Levels building.”
She catches the flask when he throws it and takes a swig.
“You got it,” she says, grinning.
By the time they get to me, almost everyone is drunk, lurching with each footstep and laughing at every joke, no matter how stupid it is. I feel warm, despite the cool air, but my mind is still sharp, taking in everything about the night, the rich smell of marsh and the sound of bubbling laughter, the blue-black of the sky and the silhouette of each building against it. My legs are sore from running and walking and climbing, and still I haven’t fulfilled a dare.
We’re close to Dauntless headquarters now. The buildings are sagging where they stand.
“Who’s left?” Lauren says, her bleary eyes skipping over each face until she reaches mine. “Ah, the numerically named initiate from Abnegation. Four, is it?”
“Yeah,” I say.
“A Stiff?” The boy who sat so comfortably beside Amar looks at me, his words running together. He’s the one holding the flask, the one determining the next dare. So far I’ve watched people scale tall structures, I’ve watched them jump into dark holes and wander into empty buildings to retrieve a faucet or a desk chair, I’ve watched them run naked down alleyways and stick needles through their earlobes without numbing them first. If I was asked to concoct a dare, I would not be able to think of one. It’s a good thing I’m the last person to go.
I feel a tremor in my chest, nerves. What will he tell me to do?
“Stiffs are uptight,” the boy says plainly, like it’s a fact. “So, to prove you’re really Dauntless now . . . I dare you to get a tattoo.”
I see their ink, creeping over wrists and arms and shoulders and throats. The metal studs through ears and noses and lips and eyebrows. My skin is blank, healed, whole. But it doesn’t match who I am—I should be scarred, marked, the way they are, but marked with memories of pain, scarred with the things I have survived.
I lift a shoulder. “Fine.”
He tosses me the flask, and I drain it, though it stings my throat and lips and tastes bitter as poison.
We start toward the Pire.
Tori is wearing a pair of men’s underwear and a T-shirt when she answers the door, her hair hanging over the left half of her face. She raises an eyebrow at me. We clearly woke her from a sound sleep, but she doesn’t seem angry—just a little grouchy.
“Please?” Amar says. “It’s for a game of Dare.”
“Are you sure you want a tired woman to tattoo your skin, Four? This ink doesn’t wash off,” she says to me.
“I trust you,” I say. I’m not going to back out of the dare, not after watching everyone else do theirs.
“Right.” Tori yawns. “The things I do for Dauntless tradition. I’ll be right back, I’m going to put on pants.”
She closes the door between us. On the way here I racked my brain for what I might want tattooed, and where. I couldn’t decide—my thoughts were too muddled. Still are.
A few seconds later Tori emerges wearing pants, her feet still bare. “If I get in trouble for turning on lights at this hour, I’m going to claim it was vandals and name names.”
“Got it,” I say.
“There’s a back way. Come on,” she says, beckoning to us. I follow her through her dark living room, which is tidy except for the sheets of paper spread over her coffee table, each one marked with a different drawing. Some of them are harsh and simple, like most of the tattoos I’ve seen, and others are more intricate, detailed. Tori must be the Dauntless approximation of an artist.
I pause by the table. One of the pages depicts all the faction symbols, without the circles that usually bind them. The Amity tree is at the bottom, forming a kind of root system for the eye of Erudite and the Candor scales. Above them, the Abnegation hands seem almost to cradle the Dauntless flames. It’s like the symbols are growing into one another.
The others have moved past me. I jog to catch up, walking through Tori’s kitchen—also immaculate, though the appliances are out of date, the faucet rusted, and the refrigerator door held closed by a large clamp. The back door is open and leads into a short, dank hallway that opens up to the tattoo parlor.
I’ve walked past it before but never cared to go inside, sure I wasn’t going to find a reason to attack my own body with needles. I guess I have one now—those needles are a way for me to separate myself from my past, not just in the eyes of my fellow Dauntless, but in my own eyes, every time I look at my own reflection.
The room’s walls are covered in pictures. The wall by the door is entirely dedicated to Dauntless symbols, some black and simple, some colorful and barely recognizable. Tori turns on the light over one of the chairs and arranges her tattoo needles on a tray next to it. The other Dauntless gather on benches and chairs around us, like they’re getting ready to see a performance of some kind. My face gets hot.
“Basic principles of tattooing,” Tori says. “The less cushion under the skin, or the bonier you are in a particular area, the more painful the tattoo. For your first one it’s probably best to get it done on, I don’t know, your arm, or—”