In its center grows a huge tree. Its branches are spread over most of the greenhouse, and its roots bubble up from the ground, forming a dense web of bark. In the spaces between the roots, I see not dirt but water, and metal rods holding the roots in place. I should not be surprised—the Amity spend their lives accomplishing feats of agriculture like this one, with the help of Erudite technology.
Standing on a cluster of roots is Johanna Reyes, her hair falling over the scarred half of her face. I learned in Faction History that the Amity recognize no official leader—they vote on everything, and the result is usually close to unanimous. They are like many parts of a single mind, and Johanna is their mouthpiece.
The Amity sit on the floor, most with their legs crossed, in knots and clusters that vaguely resemble the tree roots to me. The Abnegation sit in tight rows a few yards to my left. My eyes search the crowd for a few seconds before I realize what I’m looking for: my parents.
I swallow hard, and try to forget. Tobias touches the small of my back, guiding me to the edge of the meeting space, behind the Abnegation. Before we sit down, he puts his mouth next to my ear and says, “I like your hair that way.”
I find a small smile to give him, and lean into him when I sit down, my arm against his.
Johanna lifts her hands and bows her head. All conversation in the room ceases before I can draw my next breath. All around me the Amity sit in silence, some with their eyes closed, some with their lips mouthing words I can’t hear, some staring at a point far away.
Every second chafes. By the time Johanna lifts her head I am worn to the bone.
“We have before us today an urgent question,” she says, “which is: How will we conduct ourselves in this time of conflict as people who pursue peace?”
Every Amity in the room turns to the person next to him or her and starts talking.
“How do they get anything done?” I say, as the minutes of chatter wear on.
“They don’t care about efficiency,” Tobias says. “They care about agreement. Watch.”
Two women in yellow dresses a few feet away rise and join a trio of men. A young man shifts so that his small circle becomes a large one with the group next to him. All around the room, the smaller crowds grow and expand, and fewer and fewer voices fill the room, until there are only three or four. I can only hear pieces of what they say: “Peace—Dauntless—Erudite—safe house—involvement—”
“This is bizarre,” I say.
“I think it’s beautiful,” he says.
I give him a look.
“What?” He laughs a little. “They each have an equal role in government; they each feel equally responsible. And it makes them care; it makes them kind. I think that’s beautiful.”
“I think it’s unsustainable,” I say. “Sure, it works for the Amity. But what happens when not everyone wants to strum banjos and grow crops? What happens when someone does something terrible and talking about it can’t solve the problem?”
He shrugs. “I guess we’ll find out.”
Eventually someone from each of the big groups stands and approaches Johanna, picking their way carefully over the roots of the big tree. I expect them to address the rest of us, but instead they stand in a circle with Johanna and the other spokespeople and talk quietly. I begin to get the feeling that I will never know what they’re saying.
“They’re not going to let us argue with them, are they,” I say.
“I doubt it,” he says.
We are done for.
When everyone has said his or her piece, they sit down again, leaving Johanna alone in the center of the room. She angles her body toward us and folds her hands in front of her. Where will we go when they tell us to leave? Back into the city, where nothing is safe?
“Our faction has had a close relationship with Erudite for as long as any of us can remember. We need each other to survive, and we have always cooperated with each other,” says Johanna. “But we have also had a strong relationship with Abnegation in the past, and we do not think it is right to revoke the hand of friendship when it has for so long been extended.”
Her voice is honey-sweet, and moves like honey too, slow and careful. I wipe the sweat from my hairline with the back of my hand.
“We feel that the only way to preserve our relationships with both factions is to remain impartial and uninvolved,” she continues. “Your presence here, though welcome, complicates that.”
Here it comes, I think.
“We have arrived at the conclusion that we will establish our faction headquarters as a safe house for members of all factions,” she says, “under a set of conditions. The first is that no weaponry of any kind is allowed on the compound. The second is that if any serious conflict arises, whether verbal or physical, all involved parties will be asked to leave. The third is that the conflict may not be discussed, even privately, within the confines of this compound. And the fourth is that everyone who stays here must contribute to the welfare of this environment by working. We will report this to Erudite, Candor, and Dauntless as soon as we can.”
Her stare drifts to Tobias and me, and stays there.
“You are welcome to stay here if and only if you can abide by our rules,” she says. “That is our decision.”
I think of the gun I hid under my mattress, and the tension between me and Peter, and Tobias and Marcus, and my mouth feels dry. I am not good at avoiding conflict.
“We won’t be able to stay long,” I say to Tobias under my breath.
A moment ago, he was still faintly smiling. Now the corners of his mouth have disappeared into a frown. “No, we won’t.”
CHAPTER THREE
THAT EVENING I return to my room and slide my hand beneath my mattress to make sure the gun is still there. My fingers brush over the trigger, and my throat tightens like I am having an allergic reaction. I withdraw my hand and kneel on the edge of the bed, taking hard swallows of air until the feeling subsides.
What is wrong with you? I shake my head. Pull it together.
And that is what it feels like: pulling the different parts of me up and in like a shoelace. I feel suffocated, but at least I feel strong.
I see a flicker of movement in my periphery, and look out the window that faces the apple orchard. Johanna Reyes and Marcus Eaton walk side by side, pausing at the herb garden to pluck mint leaves from their stems. I am out of my room before I can evaluate why I want to follow them.