Home > Just One Year (Just One Day #2)(6)

Just One Year (Just One Day #2)(6)
Author: Gayle Forman

I don’t think either of us expected me ever to set foot in here again. I don’t think we ever thought we’d see each other again. But then I bumped into her at La Ruelle a few months later. She had recently been made booking manager, and she seemed happy enough to see me. She gave me free drinks all night and invited me down to her office to show me the roster of bands she had scheduled in the coming months. I went with her, even though I was pretty certain that the calendar was not what she wanted to show me, and sure enough, as soon as we got to the office, she locked the door, and never turned on her computer.

There was an unspoken agreement that I’d never go back to her flat. I had a place to stay, anyway, and I was leaving the next morning. After that, I saw her whenever I came through Paris. Always at the club, in the office, with the door locked.

So I think we are both surprised when I ask if I can stay at her place.

“Really? You want to?”

“If you don’t mind. You can give me the keys and meet me later. I know you have to work. I’ll leave tomorrow.”

“Stay as long as you like. Let me come with you. I can help you.”

My fingers absently touch the watch, still on my wrist. “You don’t have to. I just need to rest.”

Céline sees the watch. “Is that hers?” she asks.

I run my finger along the cracked crystal.

“Are you going to keep it?” she asks, her tone gone sour.

I nod. Céline starts to protest, but I hold up my hand to stop her. I barely have the energy to stand. But I am keeping this watch.

Céline rolls her eyes, but she also shuts down her computer and helps me up the stairs. She calls out to Modou, who is now digging around behind the bar, that she is taking me home for the night.

“What happened to your friend?” Modou asks, popping back up.

I turn back toward him. The lights are dim and Céline’s arm is around me for support. I can hardly see him. “Tell her I’m sorry. Her suitcase is in the closet. If she comes back. Tell her that.” I want to tell him to make sure she looks at the postcards, but Céline is yanking me out the door. Outside, I was expecting darkness, but, no, it’s still daytime. Days like these go on for years. It’s the ones you want to last that slip away—one, two, three—in seconds.

The watermark from where the vase smashed into the wall is still there. So are the piles of books, magazines, CDs, and precarious towers of vinyl records. The picture windows, which she never bothers to cover, even at night, are wide open, letting in the endless, endless daytime.

Céline gives me a glass of water, and at last I take the painkillers Dr. Robinet gave me before I left the hospital. He advised me to take them before the pain came on, and to keep taking them until it subsided. But I was afraid taking them earlier would dull whatever wits I had left about me.

The instructions on the bottle say one pill every six hours. I take three.

“Lift up your hands,” Céline instructs. And it’s like yesterday, when she was making me change my clothes and Lulu walked in on us, and I’d thought it cute that she tried to hide her jealousy. And then Modou had kissed her and I’d had to hide mine.

I can’t lift my arms over my head, so Céline helps me off with the hospital scrubs. She stares at my chest a long time. She shakes her head.

“What?”

She clucks her tongue. “She should not have left you like this.”

I start to explain that she didn’t leave me like this, not knowingly. Céline dismisses me with a wave of her hands. “No matter. You are here now. Go into the bathroom and clean yourself up. I will cook something.”

“You?”

“Do not laugh. I can make eggs. Or soup.”

“Don’t trouble yourself. I have no appetite.”

“Then I will make you a bath.”

She draws me a bath. I hear it running and think of rain, which has stopped. I feel the drugs starting to work, the soft tentacles of sleep slowly tugging me under. Céline’s bed is like a throne and I collapse onto it, thinking of my airplane dream earlier today and how it felt slightly different from the usual nightmare. Right before I fall asleep, one of my lines—Sebastian’s lines—from Twelfth Night pops into my head: “If it be thus to dream, still let me sleep!”

At first, I think I’m dreaming again. Not the airplane dream, a different one, a good one. A hand trailing up and down my back, slipping lower, lower. She kept her hand on my heart. All morning as we slept on that hard floor. This hand tickles toward my waist and then goes lower. Bruised, not broken, the doctor said. In my sleep, I feel my strength returning.

My own hand finds her warm body, so soft, so inviting. I slip my hand between her legs. She groans.

“Je savais que tu reviendrais.”

And then it’s the nightmare all over again. Wrong place. Wrong person. Wrong plane. I jolt up in bed, push her away so hard she tumbles to the floor.

“What are you doing?” I shout at Céline.

She stands up, unapologetically naked in glow of the streetlight. “You are in my bed,” she points out.

“You’re supposed to be taking care of me,” I say. This sounds all the more pathetic because we both know I don’t want her to.

“I thought I was,” she says, attempting a smile. She sits down on the edge of the bed, pats the sheet next to her. “You don’t have to do anything but lie back and relax.”

I am wearing nothing but my boxers. When did I take off my jeans? I see them folded neatly on the floor, along with the shirt from the hospital. I reach for the shirt. My muscles protest. I stand up. They howl.

“What are you doing?” Céline asks.

“Leaving,” I say, panting with the exertion. I’m not entirely sure I can get out of here, but I know I cannot stay.

“Now? It is late.” She looks incredulous. Until I step in my jeans. It is a painstakingly slow process, and it gives her time to digest the fact that I am, in fact, going. I can see what will happen: the reprise of the last time I was here. A stream of cursing, in French. I am a prick. I have humiliated her.

“I offered you my bed, me, and you push me out. Literally.” She is laughing, not because it’s funny but because it’s inconceivable.

“I’m sorry about that.”

“But you came to me. Yesterday. Again today. You always come back to me.”

   
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