Now Dr. Jessup is inquiring about Rachel’s mental health.
“How’s she holding up?” Dr. Jessup wants to know.
“I guess she’s okay,” I say.
“You should buy her some flowers, or something,” Dr. Jessup says. “Something to perk her up. Candy, maybe.”
I say, “Oh, that’s a good idea,” even though I have no clue what he’s talking about. Why should I buy flowers or candy for Rachel? Does Elizabeth Kellogg’s death affect Rachel more than it affects Julio, the head of the maintenance staff, who’ll probably be the person hosing Elizabeth’s blood out of the elevator shaft later on? Is anybody buying candy for Julio?
Maybe I should just buy flowers for both of them.
“Rachel’s not used to the city yet,” Dr. Jessup is saying, by way of explanation, I suppose. “This is bound to shake her up a little. She’s not a jaded New Yorker yet, like some of us. Right, Wells?” He winks.
“Right,” I say, even though I still have no idea what he means. Would a Whitman Sampler be enough, or did he want me to go all the way to Dean & Deluca’s and buy a bunch of those petits fours? Which would be okay, because then I can get myself some of those chocolate-covered orange peels.
Except…Rachel doesn’t eat candy. It’s not on the Zone. Maybe I should get her some nuts?
But our conversation comes to an abrupt end when President Allington comes striding into the lounge.
I’ll tell you the truth. I never recognize Phillip Allington at first glance, even though I’ve been seeing him get off the elevators every weekday morning since last June, when I started working at Fischer Hall.
The reason I never recognize President Allington is because President Allington doesn’t exactly dress like a college president. His ensemble of choice is white trousers—which he continues to wear well after Labor Day, regardless of Miss Manners—gold New York College T-shirt (tank top for really humid days), Adidas, and, in inclement weather, a gold and white New York College letter jacket. According to another article I found in Justine’s files, the president feels if he dresses like a student, he’ll be more accessible to them.
But I’ve never seen a New York College student dressed in the school colors. They all wear black, to blend in with the rest of the New Yorkers.
Today President Allington has opted for the T-shirt rather than the tank, even though the temperature outside is over seventy degrees. Well, maybe he had a meeting of the board of trustees to attend, and wanted to dress to impress.
It isn’t until all the other administrators immediately rush over to him to make sure the president knows what an integral part he or she is playing in the resolution of what will no doubt be referred to on Monday in the student-run newspaper as “The Tragedy” that I’m like, “Oh, yeah. That’s the president.”
Ignoring everyone else, Dr. Allington looks directly at Dr. Jessup and says, “You should do something about this, Stan. This is not good. Not good at all.”
Dr. Jessup looks as if he wishes he were the one at the bottom of the elevator shaft. I don’t really blame him, either.
“Phil,” he says to the president. “It happens. In a population this big, there are bound to be some deaths. We had three last year alone, and the year before that, there were two—”
“Not in my building,” President Allington says. I can’t help thinking that he is trying to sound like Harrison Ford in Air Force One (“Get off my plane”).
But he sounds more like Pauly Shore in Bio-Dome.
This seems to me like an appropriate time to go back to my office. I find Sarah there sitting at my desk, talking on the phone. No one else is around, but there’s still a disagreeable amount of tension in the room. It seems to be emanating from Sarah, who slams the phone down and glares at me.
“Rachel says we have to cancel the hall dance tonight.” She is practically glowering.
“So?” This sounds like a reasonable request to me. “Cancel it.”
“You don’t understand. We’ve lined up a real band. We stand to lose about fifteen hundred dollars from this.”
I stare at Sarah.
“Sarah,” I say. “A girl is dead. Dead.”
“And by veering from our normal routine because of her selfish act,” Sarah says, “we will only cause her death to be romanticized by the student population.” Then, coming down off her grad student high horse for a second, she adds, “I guess we can make back the lost revenue in T-shirt sales. Still, I don’t see why we should cancel our dance, just because some nutcase took a dive off the top of an elevator.”
And people say show biz is rough. They’ve obviously never worked in a dorm.
Excuse me, I mean, residence hall.
5
I don’t see how
We could have drifted so far apart
Seems like just yesterday
You were calling me baby
Now I’m alone
And I can’t help crying
Do Over
Baby I want a
Do Over
’Cause I’m not ready
To let you go
“Do Over”
Performed by Heather Wells
Composed by Dietz/Ryder
From the album Sugar Rush
Cartwright Records
Being this is New York City, where so many unnatural deaths occur every day, it ends up taking the coroner’s office four hours to get to Elizabeth’s body.
The coroner arrives at three-thirty, and by three thirty-five, Elizabeth Kellogg is declared dead. Cause of death, pending an investigation and autopsy, is recorded as acute trauma, in the form of a broken neck, back, and pelvic bone, in addition to multiple fractures to the face and extremities.