Home > The Last Vampire (The Last Vampire #1)(3)

The Last Vampire (The Last Vampire #1)(3)
Author: Christopher Pike

He shakes his head. He is looking at me in a new light, and he doesn't like what he sees. My eyes continue to bore into him. A splinter of fear has entered his mind.

"H-how do you know all these things?" he asks.

"You admit my facts are accurate?" I mimic him.

He shakes his head again.

"Now I allow my voice to change, to deepen, to resonate with the fullness of my incredibly long life. The effect on him is pronounced; he shakes visibly, as if he is suddenly aware that he is sitting next to a monster. But I am not just any monster. I am a vampire, and in many ways, for his sake, that may be the worst monster of all.

"Someone has hired you to research me," I say. "I know that for a fact. Please don't deny it again, or you will make me angry. I really am uncontrollable when I am angry. I do things I later regret, and I would regret killing you, Mr. Riley—butnot for long."I pause.

"Now, for the last time, tell me who sent you after me,andI will give you a million dollars and let you walk out of here alive." He stares at me incredulously. His eyes see one

thing, and his ears hear another, I know. He sees a pretty blond girl with startlingly blue eyes, and he hears the velvety voice of a succubus from hell. It is too much for him. He begins to stammer

"Miss Perne," he begins. "You misunderstand me. I mean you no harm. I just want to complete a simple business deal with you. No one has to ... get hurt."

I take in a long, slow breath. I need air, but I can hold my breath for over an hour if I must. Yet now I let out the breath before speaking again, and the room cools even more. And Mr. Riley shivers.

"Answer my question," I say simply.

He coughs. "There is no one else,"

"You'd better reach for your gun."

"Pardon?"

"You are going to die now. I assume you prefer to die fighting.,"

"Miss Perne—"

"I am five thousand years old."

He blinks. "What?"

I give him my full, uncloaked gaze, which I have used in the past—alone—to kill. "I am a vampire," I say softly. "And you have pissed me off."

He believes me. Suddenly he believes every horror story he has been told since he was a little boy. That they were all true: the dead things hungering for the warm living flesh; the bony hand coming out of the closet in the black of night; the monsters from another page of reality, the unturned page—who could look so human, so cute.

He reaches for his gun. Too slowly, much too.

I shove myself out of my chair with such force that I am momentarily airborne. My senses switch into a hyper-accelerated mode. Over the last few thousand years, whenever I am threatened, I have developed the ability to view events in extreme slow motion. But this doesnot mean that I slow down; quite the opposite. Mr.Riley sees nothing but a blur flying toward him. Hedoes not see that as I'm moving. I have cocked my legto deliver a devastating blow.

My right foot lashes out. My heel catches him in the center of the breastbone. I hear the bones crack as he topples backward onto the floor, his weapon still bolstered inside his coat. Although I moved toward him in a horizontal position, I land smoothly on my feet. He sprawls on the floor at my feet beside his overturned chair. Gasping for breath, blood pouring out of his mouth. I have crushed the walls of his heart as well as the bones of his chest, and he is going to die. But not just yet. I kneel beside him and gently put my hand on his head. Love often flows through me for my victims.

"Mike," I say gently. "You would not listen to me."

He is having trouble breathing. He drowns in his own blood—I hear it gurgling deep in his lungs—and I am tempted to put my lips to his and suck it away for him. Such a temptation, to sate my thirst. Yet I leave him alone.

"Who?" he gasps at me.

I continue to stroke his head, "I told you the truth. I

am a vampire. You never stood a chance against me. It's not fair, but it is the way it is." I lean close to his mouth, whisper in his ear."Now tell me the truth and I will stop your pain. Who sent you after me?"

He stares at me with wide eyes. "Slim," he whispers.

"Who is Slim? A man?"

"Yes."

"Very good, Mike. How do you contact him?"

"No."

"Yes." I caress his cheek. "Where is this Slim?"

He begins to cry. The tears, the blood—they make a pitiful combination. His whole body trembles. "I don't want to die," he moans. "My boy."

"Tell me about Slim and I will take care of your boy," I say. My nature is kind, deep inside. I could have said if you don't tell me about Slim, I will find your dear boy and slowly peel off his skin. But Riley is in too much pain to hear me, and I immediately regret, striking so swiftly, not slowly torturing the truth out of him. I did tell him that I was impulsive when I'm angry, and it is true.

"Help me," he pleads, choking.

"I'm sorry. I can only kill, I cannot heal, and you are too badly hurt." I sit back on my heels and glance around the office. I see on the desktop a picture of Mr. Riley posed beside a handsome boy of approximately eighteen. Removing my right hand from Mr. Riley, I reach for the picture and show it to him. "Is this your son?" I ask innocently.

Terror consumes his features. "No!" he cries.

I lean close once more. "I am not going to hurt him. I only want this Slim. Where is he?"

A spasm of pain grips Riley, a convulsion—his legs shake off the floor like two wooden sticks moved by a poltergeist. I grab him, trying to settle him down, but I am too late. His grimacing teeth tear into his lower lip, and more blood messes his face. He draws in a breath that is more a shovel of mud on his coffin. He makes a series of sick wet sounds. Then his eyes roll back in bis head, and he goes limp in my arms. Studying the picture of the boy, I reach over and close Mr. Michael Riley's eyes.

The boy has a nice smile, I note.

Must have taken after his mother.

Now my situation is more complicated than when I arrived at the detective's office. I know someone is after me, and I have destroyed my main lead to him or her. Quickly I go through Riley's desk and fail to find anything that promises to be a lead, other than Riley's home address. The reason is sitting behind the desk as I search. Riley has a computer and there is little doubt m my mind that he stored his most important records on the machine. My suspicion is further confirmed when I switch on the computer and it immediately asks for an access code. Even though I know a great deal about computers, more than most experts in the field, I doubt I can get into his data banks without outside help. I pick up the picture of father and son

   
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